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Lo que tenés que saber de este producto
- Género: Arquitectura y diseño,Arte.
- Subgénero: Música.
- ISBN: 9780306804939.
Características del producto
Características principales
Título del libro | Up from the Cradle of Jazz New Orleans Music Since World War II |
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Autor | by Jason Berry (Author), Jonathan Foose (Author), Tad Jones (Author) |
Idioma | Inglés |
Editorial del libro | Da Capo Press, 1992 |
Otros
Género del libro | Arquitectura y diseño,Arte |
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Subgéneros del libro | Música |
ISBN | 9780306804939 |
Descripción
Libro en INGLES
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Up from the Cradle of Jazz: New Orleans Music Since World War II
Softcover
ISBN 10: 030680493X ISBN 13: 9780306804939
Publisher: Da Capo Press, 1992
"Up from the Cradle of Jazz" is an intimate history of New Orleans music during the last 45 years. It describes the piano playing of Fats Domino, Professor Longhair, James Booker, Huey "Piano" Smith and Dr John; the singing of Irma Thomas, Little Richard, Aaron Neville and Lee Dorsey; the compositions and performances of Allen Toussaint, Guitar Slim, Wynton and Branford Marsalis, The Meters and The Neville Brothers. From smoky bars and nightclubs to the open air revelry of Mardi Gras, this work aims to be the definitive story of the music of contemporary New Orleans.
From the Back Cover
This book is an intimate history of New Orleans music during the last 45 years.
About the Author
Jason Berry s books include landmark investigations of the Catholic Church crisis, "Lead Us Not into Temptation" and "Vows of Silence." His film based on the latter book won 2008 Best TV Documentary at Mexico City s Docs D.F. Festival. He is the author of a novel, "Last of the Red Hot Poppas," and a play, "Earl Long in Purgatory," which won a Big Easy Award. He has received Guggenheim and Alicia Patterson Fellowships, and was an LEH Humanist of the Year. He writes the music column for New Orleans Magazine.
Jonathan Foose, a native Mississippian and longtime resident of Austin, Texas, has been instrumental in music production, song writing, and performance in the areas of jazz and blues. He also continues oral history exploration, and writing for journals and magazines. Foose is currently involved in the application of new technologies for archival preservation of aging sound recordings.
Tad Jones was an author, noted researcher and preservationist deeply involved in music history work. He worked as an instructor at University of New Orleans and had a long affiliation at William Ransom Hogan Jazz Archive, Tulane University. He conducted many interviews for the New Orleans Jazz Historical Park Collection, was a program coordinator for Satchmo SummerFest, and a consultant on several documentaries. He was working on a book about Louis Armstrong s years in New Orleans at the time of his death in 2007.
It's mainly about music - not just jazz but R&B, brass bands and most importantly the people who make the music and live their lives around the music. If you love New Orleans and the music of New Orleans - and its impossible to love one and not the other - you absolutely have to read this wonderful book.
Up From the Cradle of Jazz is a thorough, engaging, and well researched history of New Orleans music since World War II. While the book does give space to other genres (eg modern jazz, brass bands), the focus is on r&b including heavy hitters such as Professor Longhair, Fats Domino, Huey Smith, Allen Touissant, Dr. John, The Meters, Wild Magnolias, et al. In chronicling these artists, great attention is also given to session players, producers, and other figures that a lesser book might omit.
The new edition includes two epilogue chapters that artfully fill in some of the gaps since the book's initial publication, and give great context to post-Katrina New Orleans and its impact on the musical culture. In addition to the wealth of information in the text itself, the appendix boasts a selected discography, as you will surely want to explore this musical bounty further.
The book has an academic depth to it, but is certainly accessible to a general audience. If you have interest in the great music that came out of New Orleans in the last half of the 20th century, this book is essential.
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