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Wingfeather Tales Seven Thrilling Stories From The World Of, De Rogers, Jonathan. Editorial Waterbrook, Tapa Dura En Inglés, 2021

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  • Año de publicación: 2021
  • Tapa del libro: Dura
  • Novela.
  • Número de páginas: 384.
  • ISBN: 09780525653622.
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Características principales

Título del libro
Wingfeather Tales Seven Thrilling Stories From The World Of
Autor
Rogers, Jonathan
Idioma
Inglés
Editorial del libro
WaterBrook
Tapa del libro
Dura
Año de publicación
2021

Otros

Cantidad de páginas
384
Tipo de narración
Novela
ISBN
09780525653622

Descripción

In hardcover at last, featuring new illustrations and the first-ever Wingfeather comic, now in print for the first time! Return to the world of the Wingfeather Saga with Andrew Peterson and his all-star author friends. Immerse yourself in a land of bomnubbles and quarreling cousins, sea dragons and book publishers, thieves and Fangs and secret maps. Here within these pages lie seven stories of the distant past, lost adventures, forgotten songs, and heartbreaking histories. The Shining Isle is restored, but Aerwiar is vast—and these authors have tales yet to tell:

* Explore the inner walls of Yorsha Doon, just West of the Woes of Shreve, on the edge of the Dark Sea of Darkness, from the eyes of young Safiki in “The Prince of Yorsha Doon” from the creator of Aewiar, Andrew Peterson.
* Jennifer Trafton's warm and whimsical writing brings to life a publishing nightmare populated by the many beasts of Skree in “The Wooing of Sophelia Stupe.”
* Learn the origins of Ollister Pebmricks mysterious entry in the Creaturepedia about his encounter with a raggant in “Willow Worlds” by N. D. Wilson.
* Travel with young Podo Helmer on an epic hunt for sea dragons in “From the Deeps of the Dragon King” from A. S. Peterson.
* Jonathan Rogers presents “The Ballard of Lanric and Rube,” sung by Armulyn the Bard, tale-spinner of the imaginary Shining Isle of Anniera, in On the Edge of the Dark Sea of Darkness.
* Discover what life was like for Maraly and Gammon in post-war Skree in “Shadowblade and the Florid Sword—the first-ever Wingfeather comic—by Andrew Peterson.
* Douglas McKelvey's epic, heartbreakingly hopeful novella "The Places Beyond the Maps” recounts a father's journey to redemption.

You'll also find delightful illustrations by Justin Gerard, Hein Zaayman, Cory Godbey, John Hendrix, Nicholas Kole, Aedan Peterson, Joe Sutphin, Jay Myers, and Doug TenNapel.

Enter a rich, imaginative world that becomes more real, more mysterious, more dangerous, and more beautiful with each story's telling.

About the Author
Andrew Peterson is critically acclaimed in the music industry, and his lyrics and songwriting are compared by reviewers to James Taylor, Marc Cohn, and the late Rich Mullins. He's married to Jamie; they have two sons, Aedan and Jesse, and one daughter, Skye.

Excerpt. © Reprinted by permission. All rights reserved.

The Prince of Yorsha Doon
South of the Killridge Mountains, west of the Chasm, north of the Jungles of Plontst, and east of the Dark Sea of Darkness lay the broad and blighted wasteland of white stone and red sand called the Woes of Shreve. The Woes were lethal. Humans couldn’t survive there because the blistering sunlight would sizzle their skin and bake their bones in a matter of minutes—none, that is, except those who managed to slather themselves with bloodrock dye, which was very expensive and very hard to come by. Hard to come by, unless of course you owned one of the few bloodrock mines that were well guarded by all manner of deadly things like assassins and mad Fangs (who survived the war) and packs of slidder vipes whose needle teeth could skin a tahala whole in the time one could say, “Oh my, I’m all out of bloodrock dye and we’re hours from shelter. It was nice knowing you.”

But there was no need to venture into the Woes of Shreve if you had the sense enough to live in Yorsha Doon. West of the Woes, on the edge of the Dark Sea of Darkness, the sprawling city of Yorsha Doon adorned the desert with bright spires and the blues and greens and purples of flags fluttering and robes billowing and turbans bobbing along the thousands of narrow streets. Butaar music played, tahalum gruttled, merchants shouted, and children laughed in the streets, while in the nearby maze of piers, hundreds of ships creaked as waves slapped hulls and gullbirds squawked and eels shrieked. Historian and basket critic Hodar von Voodicum described Yorsha Doon as “that chaotically exquisite collision of the Doonland

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